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‘Wanderlust,’ reviewed by Marshall Fine
HollywoodandFine.com You know that feeling when a comedy has just elicited an unexpected howl of laughter from you? The kind that has you momentarily breathless from the sheer pleasurable violence of...
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Wanderlust reviewed by Armond White for CityArts
Marino Waxes, Rudd Wanes in Wanderlust By Armond White Wanderlust starts with an idea borrowed from Albert Brooks’ 1986 Lost in America–a yuppie couple respond to career setbacks by embarking on a...
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‘Mansome,’ reviewed by Marshall Fine
HollywoodandFine.com I’ve got to hand it to Morgan Spurlock, a documentary maker who has enough curiosity – and enough wherewithal – to make the movies he wants to make, and lots of them. “Mansome” is...
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‘This Is 40,’ reviewed by Marshall Fine
HollywoodandFine.com Foul-mouthed without being particularly funny, involved without being compelling, Judd Apatow’s “This Is 40” wants to be deeper than it really is. Which is an Apatowian trademark....
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‘Admission,’ reviewed by Marshall Fine
HollywoodandFine.com Ahhh, romantic comedy, that most elusive of genres: often attempted, so rarely successfully. You can count on one hand the number of good romantic comedies in any given year. Not...
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‘All Is Bright,’ reviewed by Marshall Fine
HollywoodandFine.com Paul Giamatti is one of our great screen actors, an absolute poet of frustration and regret with the range to play a wide variety of roles. Watch him in Tom McCarthy’s delightful...
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‘Ant-Man’: Hold the insecticide
HollywoodandFine.com Right from the start, let me stipulate that, when it comes to most comic-book movies, I turn into Anti-Man. I believe comic-book movies — and the overweening Comic-Con mentality...
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